Friday, September 30, 2011

Review The Party Ain't Over

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The Party Ain't Over Overview


"It's an exciting time to be Wanda Jackson," Austin's American-Statesman declared in October on the eve of Jackson's 73rd birthday bash at the Continental Club there. The undisputed Queen of Rockabilly - a touring powerhouse for more than 50 years - is releasing her debut disc for Third Man/Nonesuch Records, the aptly titled The Party Ain't Over.

This collection of vintage and contemporary covers was produced by fan and new-found friend Jack White at his Nashville studio and recorded with a late-night honky-tonk feel by members of My Morning Jacket, the Raconteurs, and Dead Weather, among others. The White-curated lineup of tunes, says Jackson, showcases "all the various types of music that I've done through the years-some country, some gospel, some rockabilly, some rock n' roll. It's got all of that, and we threw in a Bob Dylan song 'Thunder On the Mountain,' just to be safe."

The spirited Jackson, revered for such classic singles as "Let's Have a Party" and "Fujiyama Mama," proves that brash rock and roll attitude need not have an age limit. Her trademark growl remains intact on rockers like "Rip It Up" and "Nervous Breakdown"; she opens the set with an echo-laden sneer on a rollicking version of "Shakin' All Over" and ends it 10 songs later with a plaintive take on Jimmie Rodgers' "Yodel #6." Along the way she tackles the Andrew Sisters kitschy "Rum and Coca Cola" and a big-band rendition of the DeCastro Sisters' "Teach Me Tonight," and she out-sasses-and out-classes-Amy Winehouse on a cover of the British bad girl's "You Know I'm No Good," which has already been released as a single.








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Tuesday, September 27, 2011

Review Recollection 2 CD Set

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Recollection 2 CD Set Overview


k.d. lang is a once-in-a-generation artist who has consistently displayed an extraordinary interpretative range as well as remarkable vocal prowess. It's no wonder she has, over the course of more than two decades, attracted such collaborators as Roy Orbison and Tony Bennett, along with admirers like Philip Glass and Madonna. As lang has matured, she continues to surprise and impress. With the 2008 release of her self-penned, self-produced Nonesuch disc Watershed, Rolling Stone declared, "k.d. lang does what the gifted and the lucky always should: improve as time passes." The Times of London agreed: "It's a quirk of the music industry that one of the sexiest, most sensual voices in all of pop music comes not from some raven-tressed siren in a glitter-dress but a middle-aged woman with a utility haircut and a penchant for male tailoring." lang herself called the album "a culmination of everything I've done -- there's a little bit of jazz, a little country, a little of the Ingénue sound, a little Brazilian touch."

This two-disc retrospective -- which includes favorites like "Constant Craving" and "Smoke Rings," as well as ten tracks that never appeared on k.d. lang albums; and interpretations of classic songs like Leonard Cohen's "Hallelujah" and The Hollies "The Air That I Breathe" -- illustrates how lang got to this significant point in her career, 25 years after the independent release of her debut, A Truly Western Experience. As lang moved from the subversively whimsical cow-punk sound of her early career in Western Canada to a broader pop palette, she has shown an ever-increasing sophistication, both as songwriter and interpreter. Dramatic, country-meets-lounge opener "Trail of Broken Hearts," from her 1989 Grammy Award-winning Absolute Torch and Twang album, encapsulates where she came from and where she was heading. The luxurious adult pop of "Constant Craving," from the platinum-selling 1992 Ingenue, garnered her a Best Pop Vocal Performance, Female Grammy and remains her best known and most successful single. The effervescent "Miss Chatelaine," also from Ingenue, remains a concert favorite and "I Dream of Spring," is a particularly lush example of what she so artfully created for the acclaimed Watershed.

Her bravura rendition of "Crying," originally cut with Orbison for the soundtrack to the movie Hiding Out, has become a showstopper in her live performances, perhaps rivaled only be her beautifully restrained version of Leonard Cohen's "Hallelujah." This soaring signature tune appears here as both a new recording, and in its original studio version. On her 2004 Nonesuch debut, Hymns of the 49th Parallel, she explored the work of her fellow Canadian songwriters, including Neil Young ("Helpless") and the woefully underrated Jane Siberry (the sublime "The Valley"). Regardless of its source, her choice of cover material has always been inspired, as evidenced by her take on the Hollies' "The Air That I Breathe," Joni Mitchell's "Help Me," the Beatles' Golden Slumbers," and Chris Isaak's "Western Stars," produced by Nashville legend Owen Bradley, Patsy Cline's mentor, for Shadowlands. lang is equally adept with such standards as Cole Porter's "Love For Sale" and "So In Love," and the jazz classic Moonglow" (performed here with Tony Bennett), and that has endeared her to a multi-generational audience.








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Thursday, September 22, 2011

Review Devil Without a Cause

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Devil Without a Cause Overview


No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating: PA
Release Date: 18-AUG-1998




Devil Without a Cause Specifications


It's fitting that the Kid Rock revival got started when the Beastie Boys featured him in their Grand Royal magazine--and not because the kid from Detroit shares their skin tone. Rock has often been compared with the early Beasties--the boys of "Fight for Your Right to Party" and "Brass Monkey," the boys no one ever thought would grow up. With lines like "I ain't straight outta Compton, I'm straight out the trailer" and "I started an escort service--for all the right reasons," it's obvious that Kid Rock doesn't aim to follow suit. But that's no hindrance to Devil--backed by the funky metal band Twisted Brown Trucker and special guests like blues vets Robert Bradley and Thronetta Davis, Rock is hosting one hell of an interesting party. Ultimately, Rock's party is great, schlocky fun, equal parts old Beasties and Sebastian Bach--making Devil a guilty pleasure, the Starship Troopers of hip-hop. --Randy Silver





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Friday, September 16, 2011

Review Welcome 2 My Nightmare

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Welcome 2 My Nightmare Overview


Alice Cooper's widely anticipated new album, Welcome 2 My Nightmare, recorded with longtime collaborator Bob Ezrin, who produced the original multi-platinum "Welcome To My Nightmare" album in 1975, picks up right where they left off, with Alice trapped in his own warped mind.

The original release is an all-time rock classic that spawned a worldwide theatrical tour and pioneering U.S. TV special, and certified Alice Cooper as a visionary trailblazer whose influence persists today in rock, metal, pop, punk, theatre, television, film and much more. More than 35 years later, Alice and Ezrin have resurrected the horror and humor for a new generation.

There is an array of collaborators on the new album, including original Alice Cooper members Denis Dunaway, Michael Bruce and Neal Smith reunited on 3 tracks; global pop superstar Ke$ha, who affectionately calls Alice "dad"; and legendary Alice and Lou Reed guitarist Steve Hunter, who is part of Alice's current touring band and featured prominently on the first "Nightmare" album.

Musically, the album ranges far and wide, from trashing disco to garage punk, pop balladry to a rocking number, very much in the spirit of the Rolling Stones. And then there's the ballad "Something To Remember Me By," described by Alice as "the prettiest song we have ever released."

Glimpses of themes from the original album are intertwined throughout, each track representing a different aspect of Alice's nightmare.

From the opener, "I Am Made Of You," through the already established live favorite and first single "I'll Bite Your Face Off," to the surprising duet with Ke$ha, "What Baby Wants," this album is a reminder that albums just aren't made this way anymore.

And musicians do not play together like Dennis Dunaway, Michael Bruce and Neal Smith anymore.

"I wanted a `70s feel for `When Hell Comes Home,' says Alice, "and I didn't even have to ask for it, it's just how they play and they did it live in the studio. When they got done playing the basic track, Bob and I just looked at each other, that sound is built into their DNA. We didn't need to go and fix anything. The way they finished was a little bit ragged, and that's the way we used to finish songs, that's what I like about it."

Co-writers on various songs include the aforementioned Bob Ezrin, Ke$ha, Dunaway, Bruce and Smith, plus Buckcherry's Keith Nelson, Desmond Child (who famously co-wrote and produced "Poison" with Alice), longtime collaborator Dick Wagner, current touring band member Chuck Garric, and film composer Jeremy Rubolino.

"That's my rebellion," says Alice of the more surprising guests, "I like people that don't belong and yet what they're doing works perfectly. I don't care where it comes from, as long as it's right. If you tell me something doesn't work, I'll work my head off until it does then shove it down your throat."

"I think a lot of my audience is going to go 'KE$HA!?', but she probably wrote the most wicked lyrics in the song - we had to rein her in. I like people to know that just because artists are put in a pigeon hole, that doesn't mean that's what they are. Give people a little room."

With Steve Hunter, one of rock's great guitarists, added to the band's lineup of guitarists Damon Johnson and Tommy Henriksen, bassist Chuck Garric, and drummer Glen Sobel, Alice has been tearing up venues worldwide on his 2011 "No More Mr. Nice Guy" tour.

Alice gave fans an up close and highly personal experience in June with a surprise performance at London's legendary 100 Club, when actor Johnny Depp joined the band on guitar. Alice showcased the powerful band that had blown away the Download Festival crowd the previous weekend.

This year, the original Alice Cooper group was inducted into the Rock 'n' Roll Hall of Fame, and Alice was honored with both the Kerrang! Icon Award in the U.K. and the Revolver Golden God Award in the U.S.








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Monday, September 12, 2011

Review Leave This Town

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Leave This Town Overview


Daughtry achieved global success with its self-titled debut, the biggest selling artist release of the past two years. The band's Grammy-nominated, quadruple-platinum debut garnered multiple American Music Awards, World Music Awards, and Billboard Music Awards. Daughtry spent most of the last two years on the road, performing to sold-out arenas, but is now back with the follow-up to the its massive debut. Leave This Town will be available on July 14, 2009, and was produced by Howard Benson.








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Tuesday, September 6, 2011

Review If You're Going Through Hell

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If You're Going Through Hell Overview


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East Tennessee singer-songwriter Rodney Atkins scored a chart-topper with the title track of this second release, reframing the Irish drinking toast ("May you be in heaven five minutes before the devil knows you're dead") in a modern context and tying it all up in a Celtic/banjo wrapping fit for Keith Urban. It's a solid effort, and performed with unusual aplomb for a newcomer. But as the rest of the album shows, Atkins seems torn between being a thoughtful, poetic craftsman ("Angel's Hands," "Invisibly Shaken," "A Man on a Tractor") and a hero for redneck simpletons. On the opening "These Are My People," he works the family-values-and-small-town stereotypes to death, continuing with "About the South," a Charlie-Daniels-as-God number on which he's backed by an irritating group of chorines that sound suspiciously like the Hee Haw Hunnies. Which path will Atkins ultimately choose, NPR or Wal-Mart? His second single, "Watching You"--a doing-everything-like-Daddy paean--probably tells the tale. --Alanna Nash





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Monday, September 5, 2011

Review Disney's Sing Along Songs - Beach Party at Walt Disney World

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Disney's Sing Along Songs - Beach Party at Walt Disney World Feature


  • Sing, dance, and play along with Mickey and the gang in fun-filled musical adventures! It's easy as you read the on-screen lyrics to favorite kid songs! In BEACH PARTY AT WALT DISNEY WORLD, Mickey, Minnie, Donald, Goofy, Tigger, and The Sing-Along Kids hit the waves and have a ball at Blizzard Beach, Typhoon Lagoon, Shark Reef, and more. What a cool place to have oceans of fun! Format: DVD



Disney's Sing Along Songs - Beach Party at Walt Disney World Overview


Sing, dance, and play along with Mickey and the gang in fun-filled musical adventures! It's easy as you read the on-screen lyrics to favorite kid songs! In BEACH PARTY AT WALT DISNEY WORLD, Mickey, Minnie, Donald, Goofy, Tigger, and The Sing-Along Kids hit the waves and have a ball at Blizzard Beach, Typhoon Lagoon, Shark Reef, and more. What a cool place to have oceans of fun!








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Saturday, September 3, 2011

Review How I Go

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How I Go Overview


Kenny Wayne Shepherd's How I Go not only serves as a strong reminder of the chops that caused Guitar World to place him right behind B.B. King and Eric Clapton on their list of blues guitarists, but it's the strongest indication yet of his gifted songwriting talent. The album pairs Kenny's deeply soulful and impassioned takes on classic material like Bessie Smith's "Blackwater Blues," Albert King's "Oh, Pretty Woman" and The Beatles "Yer Blues" alongside the strongest writing and co-writing of his career thus far.


The hard-rocking, blues-based, guitar-driven album sounds young, it sounds fresh. Yet it has that distinctive energy and vibe drawn from the deep heritage of the genre. Kenny Wayne Shepherd is growing as a songwriter, musician and producer.








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Thursday, September 1, 2011

Review Pirates Of The Caribbean: On Stranger Tides

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Pirates Of The Caribbean: On Stranger Tides Overview


"Pirates of the Caribbean: On Stranger Tides" captures the fun, adventure and humor that ignighted the hit franchise. Johnny Depp returns to his iconic role of Captain Jack Sparrow in an action-packed tale of truth, betrayal, youth and demise. When Jack crosses paths with a woman from his past (Penelope Cruz), he's not sure if it's love-or if she's a ruthless con artist who's using him to find the fabled Fountain of Youth. When she forces him aborad the Queen Anne's Revenge, the ship of the formidbale pirate Blackbeard (Ian McShane), Jack finds himself on an unexpected adventure in which he doesn't know who to fear more: Blackbeard or the woman from his past.
Complete with a soundtrack full of star-studded musicians from reknowned composer Hans Zimmer with collaborations from flamenco rock duo Rodrigo and Gabriela to all new tracks from Rodrigo and Gabriela to relive the film through sound. And enjoy it again with all new remixes from Ki:Theory, Photek, Adam Freeland and more!








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